We are pleased to announce that registration for our 2019 annual conference is now open. Click here for more information about the conference, booking, bursaries, and more.


Call for Papers

Christian Ethics: Teaching and Formation

SSCE 2019 Annual Conference

London School of Theology

5-7 September 2019


The 2019 SSCE Annual Conference will explore the theme of ‘Christian Ethics: Teaching and Formation’. What is Christian Ethics? How should it be taught? Why and how might better connections be forged with biblical exegesis, systematic theology, liturgical studies, ecumenism and other disciplines in the academy? What personal formation occurs in the good teaching and learning of Christian Ethics in universities as well as seminaries? How do our geographical locations, disciplinary alignments, ecclesial traditions and research interests shape our answers to these questions?


Please send a 500-word abstract as an attachment (Microsoft Word) to by Friday 17 May, 2019. Include your name and email address in the document.

For further conference details, contact B.J. Condrey (






Registration will open soon (check back in early-mid February). For more details, click here

If you have any questions, contact B.J. Condrey at

We are pleased to announce that registration is now open for the 2019 Spring Postgraduate Conference in Durham! 

The theme of the conference is 'Christian Ethics: Teaching and Formation'. The keynote address will be given by Prof. Robert Song (Durham University). For more information concerning the theme, the call for papers, and other important information, go to the Spring PG Conference section of the website.

Click here to register online. 



The postgrad conference will take place 1 April in Durham.  The Call for Papers is now live.

Call for Papers: 500 word proposals by 4 May. Conference registration now open. 

We are pleased to announce our 2018 conference which will be held on the theme of "Living and Dying".

St John's College, Durham
7-9 September 2018

The 2018 SSCE Annual Conference will explore the themes of living and dying, particularly as they relate to approaches to death and to the lives of populations most vulnerable to tragic and unjust deaths. We will consider meta-ethical questions of living and dying as well as grounded questions surrounding the lives and deaths of particular persons such as immigrants, refugees, racial/ethnic minorities, people with disabilities, and the elderly.


We are pleased to announce that registration is now open for the 2017 Spring Postgraduate Conference!

The theme of the conference is 'Life to the full: Human (and other) flourishing'. The keynote address will be given by Prof. Peter Scott (University of Manchester).

For more information, and to view the call for papers, please go to the Spring PG Conference section of the website.

We are pleased to announce our 2017 conference which will be held on the theme of "Hope". Plenary speakers will include: Valerie CooperDavid P. GusheeMichael NorthcottBeth Philips, and Janet Martin Soskice. For more details, click through to our conference page.

As part of our conference this year on Friday September 9th, we will be co-hosting a special exhibition on Animals and Theology curated by Professor Diana Donald in the Study Room at the Fitzwilliam Museum. The study room can only accommodate a maximum of 15 people, so the exhibition will be shown to small groups in 45 minute increments at: 2pm, 2:45pm, and 3:30pm. You can meet Prof Donald at the ‘courtyard entrance’ to the museum [not the grand central entrance] at your specified time and she will conduct you to the study room. The courtyard entrance is at the end of the left-hand wing of the frontage on Trumpington Street.Meet Prof Donald at the ‘courtyard entrance’ to the museum [not the grand central entrance] and she will conduct you to the study room. The courtyard entrance is at the end of the left-hand wing of the frontage on Trumpington Street.

Registered delegates will need to sign up for one of these sessions in advance, which you can do via our website by using one of the following links:

About the exhibition:

The chosen images cluster round three broad themes, which exemplify varied and even contrasting views of animals – shaped by Christian doctrine, but also by the individual interpretations of the artists concerned. 

  • the Genesis stories of the Garden of Eden, the fall of man, and Noah’s Flood, which were foundational for Christian views of the human-animal relationship
  • animals as the companions of the saints and participants in their miracles
  • animals as ‘the other’ – symbolising strange or demonic forces, or the grandeur of wild nature, as described in the Book of Job.

Works to be shown include:

  1. Roelant Savery, The Creation of Birds, 1619. Oil on panel.
  2. Lucas van Leyden, The Creation of Eve, 1529. Engraving.)
  3. William Strang, The Creation of Eve, an illustration to Milton’s Paradise Lost, 1895. Etching
  4. Johann König, Adam and Eve in Paradise, c.1629. Oil on copper.
  5. Albrecht Dürer, Adam and Eve, 1504. Engraving.
  6. Jan Saenredam after Abraham Bloemaert, Adam Naming the Animals, 1604, in a series of Genesis scenes. Engraving.
  7. Rembrandt, Adam and Eve Tempted by the Devil, 1638. Etching.
  8. Jan Sadeler after Maarten de Vos, Cain Tilling the Ground, Abel as Shepherd; The Sacrifices of Cain and Abel; and Cain, his Wife and Son Enoch, 1583. Etching and engraving.
  9. Marco da Ravenna after Raphael, Noah’s Sacrifice, c.1520-7. Engraving.
  10. Cornelis Cort after Maerten van Heemskerck, Noah’s Sacrifice after the Flood, c.1560. Engraving.
  11. Samuel Palmer, The Sleeping Shepherd: Morning, c.1857. Watercolour with body colour, gum arabic and ink.
  12. Albrecht Dürer, Saint Jerome in His Study, 1514. Engraving.
  13. Rembrandt, Saint Jerome Reading, 1634. Etching.
  14. Guiseppe Maria Rolli, The Miracle of the Ass, late 17th or early 18th century. Pen and brown ink, brown wash over black chalk.
  15. Jacques Philippe le Bas, Saint Anthony of Padua Preaching to the Birds, 1735. Etching and engraving.
  16. Martin Schongauer, Saint Anthony Tormented by Demons, c.1470. Engraving.
  17. William Blake, ‘Behemoth and Leviathan’, from Illustrations to the Book of Job, 1825-6. Engraving, hand-coloured.
  18. Odilon Redon, ‘Des peuples divers . . . ‘, from The Temptation of Saint Anthony, 1896. Lithograph.

About our curator:

‘Professor Diana Donald is an art historian who now works on human-animal relations in the eighteenth and nineteenth centuries. She is the author of Picturing Animals in Britain, 1750-1850 (2007); Endless Forms: Charles Darwin, Natural Science and the Visual Arts (2009); and The Art of Thomas Bewick (2013). She is presently working on a book for Manchester University Press, on the role played by women in animal protection in nineteenth-century Britain.’

You can now download the second issue of our PG Newsletter which features an interview with Dr. Margaret Adam, SSCE committee member and Visiting Tutor in Theology and Ethics at St Stephen’s House, University of Oxford.


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